Holscher Andreas Holscher & Kampling Rainer Kampling 
Musik in der religioesen Erfahrung [EPUB ebook] 
Historisch-theologische Zugaenge

Taking up questions and issues in early chant studies, this volume of essays addresses some of the topics raised in James Mc Kinnon”s The Advent Project: The Later Seventh-Century Creation of the Ro …

Though The Velvet Underground were critically and commercially unsuccessful in their time, in ensuing decades they have become a constant touchstone in art rock, punk, post-punk, indie, avant pop and …

Music After Deleuze explores how Deleuzian concepts offer interesting ways of thinking about a wide range of musics. The concepts of difference, identity and repetition offer novel approaches to West …

Sounds of the Borderland is the first book-length study of how popular music became a medium for political communication and contested identification during and after Croatia”s war of independence f …

Musical Rhythm in the Age of Digital Reproduction presents new insights into the study of musical rhythm through investigations of the micro-rhythmic design of groove-based music. The main purpose of …

The representation of non-Western cultures in opera has long been a focus of critical inquiry. Within this field, the diverse relationships between opera and First Nations and Indigenous cultures, ho …

While the musical culture of the British Isles in the ”long nineteenth century” has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the lat …

Creative Music Composition is designed to be an introductory textbook for music students. ‘Creative composition’-composing in your own style, rather than in the style of a composer of the past-is emb …

Nineteenth Century Chamber Music proceeds chronologically by composer, beginning with the majestic works of Beethoven, and continuing through Schubert, Spohr and Weber, Mendelssohn, Schumann, Brahms, …

Shostakovich”s music is often described as being dynamic, energetic. But what is meant by ”energy” in music? After setting out a broad conceptual framework for approaching this question, Michael R …