Jacqueline Saphra’s All My Mad Mothers explores love, sex and family relationships in vivacious, lush poems that span the decades and generations. At the heart of this collection of poems is the portrait of a mother as multitudes – as a magician with a bathroom of beauty tricks, as necromancer, as glamourous fire-starter, trapped in ever-decreasing circles and, above all else, almost impossible to grasp.
With an emphasis on the cultures of the different times, we tread a tantalising tightrope between the confessional and the invented. These astute poems step assuredly from childhood’s first exposures to the scratched records and unsuitable lovers of young womanhood, the slammed doors of daughters and sons, the tears and salted soups of friendships, and the charms of late love. All the time, incandescent and luminous as an everlasting lightbulb, at the heart of each of Saphra’s poems is a delicate filament kicking out a heavy-duty wattage.
Circa l’autore
Jacqueline Saphra is a poet, playwright, teacher and activist. She is the author of nine plays, five chapbooks and five poetry collections. The Kitchen of Lovely Contraptions (flipped eye) was shortlisted for the Aldeburgh First Collection Prize and If I Lay on my Back I Saw Nothing But Naked Women (The Emma Press) won Best Collaborative Work at The Sabotage Awards. Recent collections from Nine Arches Press are All My Mad Mothers (shortlisted for the T.S. Eliot Prize), Dad, Remember You are Dead and One Hundred Lockdown Sonnets. Jacqueline is a founder member of Poets for the Planet and teaches at The Poetry School. Her latest collection, Velvel’s Violin (Nine Arches Press, 2023) is a Poetry Book Society Recommendation.
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