This four-volume Companion to Shakespeare’s Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism.
* Brings together new essays from a mixture of younger and more established scholars from around the world – Australia, Canada, France, New Zealand, the United Kingdom, and the United States.
* Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis.
* Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems.
* Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre.
* Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century.
This companion to Shakespeare’s comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night as well as twelve additional articles on such topics as the humoral body in Shakespearean comedy, Shakespeare’s comedies on film, Shakespeare’s relation to other comic writers of his time, Shakespeare’s cross-dressing comedies, and the geographies of Shakespearean comedy.
Tabella dei contenuti
Notes on Contributors vii
Introduction 1
1 Shakespeare and the Traditions of English Stage Comedy 4
Janette Dillon
2 Shakespeare’s Festive Comedies 23
Francois Laroque
3 The Humour of It: Bodies, Fluids and Social Discipline in Shakespearean Comedy 47
Gail Kern Paster
4 Class X: Shakespeare, Class, and the Comedies 67
Peter Holbrook
5 The Social Relations of Shakespeare’s Comic Households 90
Mario Di Gangi
6 Shakespear’s Crossdressing Comedies 114
Phyllis Rackin
7 The Homoerotics of Shakespear’s Elizabethan Comedies 137
Julie Crawford
8 Shakespearean Comedy and Material Life 159
Lena Cowen Orlin
9 Shakespeare’s Comic Geographies 182
Garett A. Sullivan, Jr.
10 Rhetoric and Comic Personation in Shakespeare’s Comedies 200
Lloyd Davis
11 Fat Knight, or What You Will: Unimitable Falstaff 223
Ian Fredrick Moulton
12 Wooing and Winning (Or Not): Film/Shakespeare/Comedy and the Syntax of Genre 243
Barbare Hodgdon
13 The Two Gentlemen of Verona 266
Jeffery Masten
14 ‘Fie, what a foolish duty call you this?’ The Taming of the Shrew, Women’s Jest, and the Divided Audience 289
Pamela Allen Brown
15 The Comedy of Errors and The Calumny of Apelles: An Exercise in Source Study 307
Richard Dutton
16 Love’s Labour’s Lost 320
John Michael Archer
17 A Midsummer Night’s Dream 338
Helen Hackett
18 Rubbing at Whitewash: Intolerance in The Merchant of Venice 358
Merion Wynne-Davis
19 The Merry Wives of Windsor: Unhusbanding Desires in Windsor 376
Wendy Wall
20 Much Ado About Nothing 393
Alison Findlay
21 As You Like It 411
Juliet Dusinberre
22 Twelfth Night: ‘The Babbling Gossip of the Air’ 429
Penny Gay
Index 44
Circa l’autore
Jean E. Howard is William E. Ransford Professor of English
at Columbia University and a past president of the Shakespeare
Association of America. She is an editor of The Norton
Shakespeare, and author of, among other works The Stage and
Social Struggle in Early Modern England (1994) and, with
Phyllis Rackin, of Engendering a Nation: A Feminist Account of
Shakespeare’s English Histories (1997).
Richard Dutton is currently Professor of English at Ohio
State University. He is author of Mastering the Revels: the
Regulation and Censorship of Renaissance Drama(1991) and
Licensing, Censorship and Authorship in Early Modern
England:Buggeswords(2000), and editor of the Palgrave
Literary Lives series.
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