Get involved with the complex tapestry of Lithuanian folk music in this captivating examination of cultural importance. ‘Chords of Change’ unravels the rich historical significance of folk songs that have shaped the Lithuanian identity across centuries. This effort demonstrates that music is a crucial need for communities, joining stories of love, endurance, and what it means to be human across the eras, from historical chants resonating in antiquity through to the strong restoration actions of the 19th century.
In conjunction with the specific rhythmic dances that reveal Lithuania’s unique cultural character, both the traditions of the seasons and the special instruments deserve exploration. Know how war, transformation, and globalization have affected this musical inheritance, while today’s artists innovative traditional melodies for a new audience.
With compelling narratives and rich descriptions, ‘Chords of Change’ not only celebrates the beauty of Lithuanian folk music but also underscores its enduring relevance in today’s world. This book promotes reading for those who love music, those who follow history, or those curious about cultural heritage, and encourages them to connect with the sound of a culture and its spirits.
Circa l’autore
Maher Asaad Baker (In Arabic: ماهر أسعد بكر) is a Syrian Musician, Author, Journalist, VFX & Graphic artist, and Director, he was born in Damascus in 1977. Since his teens, he has been building up his career, starting by developing applications and websites while exploring various types of media-creating paths.
He started his career in 1997 with a dream of being one of the most well-known artists in the world.
Reading was always a part of his life as he was always surrounded by his father’s books, but his writing ability didn’t develop until a later age as his most time was occupied with other things such as developing, writing songs and music, or in media projects production, he is most known for his book ‘How I wrote a million Wikipedia articles’ and a novel entitled ‘Becoming the man’.
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