Michael D. Hurley & Michael O’Neill 
Poetic Form [PDF ebook] 
An Introduction

The twelve essays in Romanticism/Judaica explore the four major cultural strands that have converged from the French Revolution to the present. The first section, Nationalism and Diasporeanism, conta …

In this brief and powerful book, Diana Fuss takes on the debate of pure essence versus social construct, engaging with the work of Luce Irigaray and Monique Wittig, Henry Louis Gates, Jr. and Houston …

This book, the first single volume to collate essays about sixteenth and seventeenth century poetry, explores the remarkable changes that have occurred in the interpretation of English Renaissance po …

As its compiler Thomas Bentley writes, The Monument of Matrones (1582) is a ”domesticall librarie plentifullie stored and replenished”. This 1500-page book is one of a long line of books of secular …

This collection of fifteen essays looks at the theme of decadence and its recurring manifestations in European literature and literary criticism from medieval times to the present day. Various defini …

An in-depth examination of Lady Anne Halkett”s writing is long overdue. Although Lady Anne Halkett is beginning to receive much warranted critical attention, to date scholars have concentrated almos …

Responding to the resurgence of interest in the Scottish working-class writer James Hogg, Sharon Alker and Holly Faith Nelson offer the first edited collection devoted to an examination of the critic …

This path-breaking book explores different ways in which writing about poetry can deepen and extend our critical engagement by deploying creatively the manifold resources of poetic language and form. …

Originally published in 1986. William Faulkner’s major novels represent one of the earliest American explorations into the paradoxes inherent in both literary discourse and racial segregation in the …

‘The nineteenth century realist author was a contradictory figure. He was the focus of literary criticism, but obscured his creative role by insisting on presenting his works as ”copies” of reality …