What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.
Tabella dei contenuti
Introduction: conceptualising Curatopia – Philipp Schorch, Conal Mc Carthy and Eveline Dürr
Part I: Europe
1 The museum as method (revisited) – Nicholas Thomas
2 What not to collect? Post-connoisseurial dystopia and the profusion of things – Sharon Macdonald and Jennie Morgan
3 Concerning curatorial practice in ethnological museums: an epistemology of postcolonial debate – Larissa Förster and Friedrich von Bose
4 Walking the fine line: From Samoa with Love? at the Museum Fünf Kontinente, Munich – Hilke Thode-Arora
5 Curating across the colonial divides – Jette Sandahl
6 Thinking and working through difference: remaking the ethnographic museum in the global contemporary – Viv Golding and Wayne Modest
Part II: North America
7 The times of the curator – James Clifford
8 Baroque modernity, critique and Indigenous epistemologies in museum representations of the Andes and Amazonia – Anthony Alan Shelton
9 Swings and roundabouts: pluralism and the politics of change in Canada’s national museums – Ruth B. Phillips
10 Community engagement, Indigenous heritage and the complex figure of the curator: foe, facilitator, friend or forsaken? – Bryony Onciul
11 Joining the club: a Tongan ‘akau in New England – Ivan Gaskell
12 c’?sna??m, the City before the City: exhibiting pre-Indigenous belonging in Vancouver – Paul Tapsell
Part III: Pacific
13 The figure of the kaitiaki: learning from Maori curatorship past and present – Conal Mc Carthy, Arapata Hakiwai and Philipp Schorch
14 Curating the uncommons: taking care of difference in museums – Billie Lythberg, Wayne Ngata and Amiria Salmond
15 Collecting, curating and exhibiting cross-cultural material histories in a post-settler society – Bronwyn Labrum
16 Curating relations between ‘us’ and ‘them’: the changing role of migration museums in Australia – Andrea Witcomb
17 Agency and authority: the politics of co-collecting – Sean Mallon
18 He alo a he alo / kanohi ki te kanohi / face to face: curatorial bodies, encounters and relations – Noelle M.K.Y. Kahanu, Moana Nepia and Philipp Schorch
Afterwords
19 Curating time – Ian Wedde
20 Virtual museums and new directions? – Vilsoni Hereniko
Index
Circa l’autore
Philipp Schorch is Professor of Museum Anthropology at Ludwig-Maximilians-Universität in Munich, Germany Conal Mc Carthy is Professor and Director of the Museum and Heritage Studies Programme at Victoria University of Wellington, Aotearoa New Zealand
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