Raoul Peck 
Stolen Images [EPUB ebook] 

In the last decade lifestyle television has become one of the most dominant television genres, with certain shows now global brands with formats exploited by producers all over the world. What unites …

This is the third book in the ”Understanding the Moving Image” series. Like other books in the series, it aims to provide a strong critical and theoretical base for the study of the media. It has b …

In Against Transmission Barker rethinks the history of audio-visual media as a history of analytical instruments. Rather than viewing media history as the commonly told story of synthetic media (medi …

In the twenty years preceding the First World War, cinema rapidly developed from a fairground curiosity into a major industry and social institution, a source of information and entertainment for mil …

This illuminating study charts the changing role of the Hollywood film sequel over the past century. Considering a range of sequels in their industrial, historical and aesthetic contexts, from The So …

Like Michael Powell”s Peeping Tom , Steven Soderbergh”s sex, lies and videotape presents us with a protagonist who can only connect with others through the lens of a camera. Graham is an enigmatic …

How does an actor embody a character? How do they use their body as an instrument of expression? Rethinking the Actor”s Body offers an accessible introduction to the fields of neurophysiology and em …

Although new writing and research on British cinema has burgeoned over the last fifteen years, there has been a continued lack of single-authored books providing a coherent overview to this fascinati …

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Sympathetic Sentiments develops an innovative interdisciplinary f …

Call The Midwife is the BBC’s most popular drama ever – that is what viewing figures tell us with over ten million viewers per episode. The Christmas edition is always reviewed as a ‘must see’ e …