Robert Holman writes plays of startling beauty, combining close observation of the way people behave with a thrilling and often fiercely uncompromising mastery of dramatic form. He is the playwright most admired by other playwrights. To Simon Stephens, he is ‘My favourite living writer’.
Here, in this selection from Holman’s first decade of playwriting, a monkey is taken for a French spy by an eighteenth-century fishing community; the inhabitants of a Greek island reside under the shadow of the atom bomb; and a group of lonely people converge on the North Yorkshire moors.
With a new introduction by Holman himself, this volume contains The Natural Cause (Cockpit Theatre, London, 1974), Mud (Royal Court Theatre, London, 1974), Other Worlds (Royal Court, 1983), Today (Royal Shakespeare Company, 1984) and The Overgrown Path (Royal Court, 1985).
‘Holman’s instinct for truth, and an unaffected ability to spot what’s poignant in it, is what one remembers: that, and a paradoxical impression of spare richness, astringent abundance’ – The Times
Circa l’autore
Robert Holman is a renowned and celebrated playwright in British Theatre. His plays include: Mud (Royal Court Theatre, 1974); German Skerries (Bush Theatre, 1977, and revived at the Orange Tree Theatre, 2016); Rooting (Traverse Theatre, 1979); Other Worlds (Royal Court Theatre, 1980); Today (Royal Shakespeare Company, 1984); The Overgrown Path (Royal Court Theatre, 1985); Making Noise Quietly (Bush Theatre, 1987, and revived at the Donmar Warehouse, 2012); Across Oka (Royal Shakespeare Company, 1988); Rafts and Dreams (Royal Court Theatre, 1990); Bad Weather (Royal Shakespeare Company, 1998); Holes in the Skin (Chichester Festival Theatre, 2003); Jonah and Otto (Royal Exchange Theatre, 2008, and revived at the Park Theatre, 2014); A Thousand Stars Explode in the Sky, co-written with David Eldridge and Simon Stephens (Lyric Theatre, Hammersmith, 2010); and A Breakfast of Eels (Print Room at the Coronet, 2015). He has also written a novel, The Amish Landscape.
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