This title offers insight into a range of art and performance practices that have emerged as a result a more technological world. These practices are integral to alternative and mainstream performance culture and the author explores their aesthetic theorisation and analyses other approaches, including those offered by research into neuroesthetics.
Tabella dei contenuti
List of Illustrations Acknowledgements The Digital: A Preliminary View Selective Aesthetic Approaches Neuroesthetics Live Performance and the Digital Digital Sound, New Media and Interactive Practices Digital Film Bioart Conclusion: Digital Practices Bibliography Index
Circa l’autore
SUSAN BROADHURST Writer and practitioner in the creative arts. She is Professor of Performance and Technology within the School of Arts at Brunel University, West London. She is the author of
Liminal Acts: A Critical Overview of Contemporary Performance and Theory (1999) and
Digital Practices: Aesthetic and Neuroesthetic Approaches to Performance and Technology (2007), co-editor of
Performance and Technology: Practices of Virtual Embodiment and Interactivity (2006),
Sensualities/Textualities & Technologies: Writings of the Body in 21st Century Performance (Palgrave Mac Milllan, 2009) and of the online journal
Body, Space and Technology. Susan is currently working on a series of collaborative practice-based research projects entitled, which involve introducing various interactive digital technologies into live performance.
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