This collection of Nobel Prize winner Samuel Beckett’s dramatic pieces includes a short stage play, two radio plays, and two pantomimes. The stage play
Krapp’s Last Tape evolves a shattering drama out of a monologue of a man who, at age sixty-nine, plays back the autobiographical tape he recorded on his thirty-ninth birthday.
The two radio plays were commissioned by the BBC;
All That Fall “plumbs the same pessimistic depths [as
Waiting for Godot] in what seems a no less despairing search for human dignity” (London
Times), and
Embers is equally unforgettable theater, born of the ramblings of an old man and his wife. Finally, in the two pantomimes, Beckett takes drama to the point of pure abstraction with his portrayals of, in
Act Without Words I, frustrated desired, and in
Act Without Words I, corresponding motions of living juxtaposed in the slow despair of one man and the senselessly busy motion of another.
Circa l’autore
Samuel Beckett (1906-1989), one of the leading literary and dramatic figures of the twentieth century, was born in Foxrock, Ireland and attended Trinity University in Dublin. In 1928, he visited Paris for the first time and fell in with a number of avant-garde writers and artists, including James Joyce. In 1937, he settled in Paris permanently. Beckett wrote in both English and French, though his best-known works are mostly in the latter language. A prolific writer of novels, short stories, and poetry, he is remembered principally for his works for the theater, which belong to the tradition of the ‘Theater of the Absurd’ and are characterized by their minimalist approach, stripping drama to its barest elements. His most famous works from this period include Waiting for Godot (1952), Endgame (1957), and Krapp’s Last Tape (1958). In 1969, Beckett was awarded the Nobel Prize in Literature and commended for having ‘transformed the destitution of man into his exaltation.’
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