Autore: Silvia Schilling

Silvia Schilling: Kafka, Der Proceß: Eine Kapitelübersicht

Silvia Schilling: Interpretation der ersten Szene aus Kafka’s ‘Der Proceß’

Silvia Schilling: The Beginnings of ‘Doctor Who’

Silvia Schilling: ‘The Picture of Dorian Gray’ by Oscar Wilde. A Negative Bildungsroman?

Silvia Schilling: Herrschaft und Weiblichkeit in Schillers Drama ‘Maria Stuart’

Silvia Schilling: ‘The Brief Wondrous Life of Oscar Wao’ by Junot Díaz. How Does the Language Used Reflect the Transcultural Identity of the Characters?

Silvia Schilling: Anselmus’ Entwicklung in E.T.A. Hoffmanns ‘Der goldene Topf’

Silvia Schilling: Is ‘The Picture of Dorian Gray’ by Oscar Wilde a ‘negative Bildungsroman’? Differences and similarities in relation to the typical British Bildungsroman in the 19th century

Silvia Schilling: From ‘The Time Machine’ to ‘Doctor Who’. The Motif of Time Travel in British Science Fiction

Silvia Schilling: Pastoral Imagery in Milton’s Poem ‘Lycidas’

Silvia Schilling: Women and Violence in American Literature. ‘A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson’, ‘Native Son’ and ‘Fight Club’

Silvia Schilling: Christopher Marlowe´s Play Edward II (1594) between Sexual and Social Transgression

Silvia Schilling: Katherine Philips’ “Friendship in Embleme, or the Seal. To my dearest Lucasia” and John Donne’s “A Valediction forbidding mourning”

Silvia Schilling: Sherlock Holmes and the City. From ‘A Study in Scarlet’ to ‘A Study in Pink’

Silvia Schilling: Reframing the Story. Mary Shelley’s ‘Frankenstein’ (1831) and Dorothy Louise’s ‘Frankenstein’ (2004)

Silvia Schilling: Issues of Identity. Caribbean Immigrants Struggling in Britain in Caryl Phillips’ Play ‘Strange Fruit’

Silvia Schilling: Intermediality and Multimodality in John Barth´s ‘Autobiography: A Self-Recorded Fiction’ (1968)

Silvia Schilling: The Irish Language in Ireland

Silvia Schilling: Linguistic Theories about Agrammatism. The Trace Deletion Hypothesis and the Tree Pruning Hypothesis

Silvia Schilling: Orality and Remediation in Wordsworth’s ‘Goody Blake and Harry Gill’

Silvia Schilling: Neoliberalism and the Novel. The Relationship of Capitalism and Ben Lerner’s ’10:04′

Silvia Schilling: Representations of Englishness in Jane Austen’s ‘Northanger Abbey’ (1817) and Virginia Woolf’s ‘Between the Acts’ (1941)

Silvia Schilling: Narrative Ways of Worldmaking in Charlotte Brontë’s ‘Jane Eyre’ and Jean Rhys’s ‘Wide Sargasso Sea’

Silvia Schilling: An Analysis of English Expressions Concerning Cats and Dogs

Silvia Schilling: Identity Struggles in William Shakespeare’s ‘The Comedy of Errors’ and ‘Twelfth Night’

Silvia Schilling: The Politics of Englishness in Kazuo Ishiguro’s ‘The Remains of the Day’ and Julian Barnes’ ‘England, England’