Like its predecessors, Directory of World Cinema: Japan 3 endeavours to move scholarly criticism of Japanese film out of the academy and into the hands of cinephiles the world over. This volume will be warmly welcomed by those with an interest in Japanese cinema that extends beyond its established names to equally remarkable filmmakers who have yet to receive such rigorous attention.
Table of Content
Introduction by the Editor
Films of the Year
Hard Romanticker
Himizu
Kotoko
A Letter To Momo
No Man’s Zone
Festival Focus
Tokyo Filmex and the Problem of the Niche
Industry Spotlight
Interview with Susumu Hani
Directors
Shinji Aoyama
Kinji Fukasaku
Kazuo Hara
Yasuharu Hasebe
Eikoh Hosoe
Jun Ichikawa
Kon Ichikawa
Shohei Imamura
Katsuhito Ishii
Teruo Ishii
Shunji Iwai
Akio Jissoji
Ryuhei Kitamura
Takeshi Kitano
Masaki Kobayashi
Masaru Konuma
Hirokazu Kore-eda
Akira Kurosawa
Yasuzo Masumura
Hitoshi Matsumoto
Takashi Miike
Kenji Misumi
Goro Miyazaki
Hayao Miyazaki
Kenji Mizoguchi
Yoshimitsu Morita
Hideo Nakata
Mamoru Oshii
Nagisa Oshima
Yasujiro Ozu
Rintaro
Kaneto Shindo
Makoto Shinkai
Masahiro Shinoda
Sion Sono
Seijun Suzuki
Isao Takahata
Yuki Tanada
Hiroshi Teshigahara
Yutaka Tsuchiya
Shin’ya Tsukamoto
Koji Wakamatsu
Mitsuo Yanagimachi
Takahisa Zeze
About the author
John Berra is a lecturer in Film and Language Studies at Renmin University of China. He is the author of Declarations of Independence: American Cinema and the Partiality of Independent Production (2008); editor of the Directory of World Cinema: American Independent volumes 1, 2 and 3; editor of the Directory of World Cinema:Japan volumes 1, 2 and 3; co-editor of World Film Locations: Beijing (2012) and World Film Locations: Shanghai (2014); and co-editor of the East Asian Journal of Popular Culture. He has also contributed to Electric Shadows: A Century of Chinese Cinema (2014).
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