After a series of failures, a biologist returns to his hometown to live with his grieving mother. But in this gripping crime novel that upends the genre’s conventions, strange events unravel what he thought he knew of his past, his present, and himself.
When a biologist returns to Colombia after fifteen years abroad, he quickly becomes entangled in the trappings of his past and his increasingly bizarre present: the unsolved murder of his brother, a boarding school where girls give birth to strange creatures, a chance encounter with his irrevocably changed first love. A brush with a well-connected acquaintance leads to a biotechnology job offer, and he’s gradually drawn into a web of conspiracy. Ultimately, he may be destined to remain in the city he’d hoped never to see again—in The Devil of the Provinces, nothing is as it seems.
About the author
Juan Cárdenas (1978) is a Colombian art critic, curator, translator, and author of seven works of fiction, most recently the story collection
Volver a comer del árbol de la ciencia and the novel
Elástico de sombra. He has translated the works of such writers as William Faulkner, Thomas Wolfe, Gordon Lish, David Ohle, J. M. Machado de Assis, and Eça de Queirós. In 2014, his novel
Los estratos received the Otras Voces Otros Ámbitos Prize. In 2017, he was named one of the thirty-nine best Latin American writers under the age of thirty-nine by the Hay Festival in Bogotá. Cárdenas currently coordinates the masters program in creative writing at the Caro y Cuervo Institute in Bogotá, where he works as a professor and researcher.
Lizzie Davis is a translator, a writer, and an editor at Coffee House Press. Her recent projects include Juan Cárdenas’s
Ornamental (a finalist for the 2021 PEN Translation Prize); Elena Medel’s
The Wonders, cotranslated with Thomas Bunstead; and work by Valeria Luiselli, Pilar Fraile Amador, and Aura García-Junco.
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