Spanning 1887 to a month before his death in 1910, The Journal of Jules Renard is a unique autobiographical masterpiece that, though celebrated abroad and cited as a principle influence by writers as varying as Somerset Maugham and Donald Barthelme, remains more of a cult object in the United States.
Throughout his journal, Renard develops not only his artistic convictions but also his humanity as he reflects on the nineteenth-century French literary and art scene, and on the emergence of his position as an important novelist and playwright in that world. Through a mix of aphorisms and observations, short scenes, gossip, jokes, and meditations on life and art, Renard portrays the details of his personal life—his love interests, his position as a socialist mayor of Chitry, the suicide of his father—that often appear in his work.
In recent years, the fragmented memoir has grown in popularity, and there’s been a resurgence of diary as an artistic form. Once again, Jean Paul Sartre’s assessment that “directly, or indirectly, Renard is at the origin of contemporary literature” rings true. In a new introduction, Sarah Manguso—whose groundbreaking nonfiction incorporates elements of diary and aphorism—both contextualizes and celebrates Renard’s seminal journal.
About the author
Sarah Manguso is the author of seven books including 300 Arguments, a genre-defying work of nonfiction; Ongoingness, a meditation on motherhood and time; The Guardians, an investigation of friendship and suicide; The Two Kinds of Decay, a memoir of her experience with a chronic autoimmune disease, and Hard to Admit and Harder to Escape, a collection of very short stories. She is also the author of the poetry collections Siste Viator and The Captain Lands in Paradise.
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