Since the 1950s Eric Rohmer has been one of the major presences in French cinema as critic and director. This book is a sophisticated engagement with his work in which Keith Tester argues that Rohmer is not the na Ive realist he is often claimed to be. Instead, his films are revealed as a sustained exercise in Catholic theology.
Table of Content
Acknowledgements Introduction The Period Films: Tragedies and Miracles The Occasional Films: Scenes of the Ordinary Miracle Moral Tales: Grace and Circumstance Comedies and Proverbs: Dislocation and Love Tales of the Four Seasons: Atmosphere and Faith References Index
About the author
KEITH TESTER is Professor of Sociology at the University of Hull, UK, and has been Distinguished Visiting Fellow at the Thesis Eleven Centre for Critical Theory at La Trobe University in Australia. He has published widely across the field of cultural sociology.
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