Leite Ana Mafalda Leite & Secco Carmen Secco 
Postcolonial Nation and Narrative III: Literature & Cinema [PDF ebook] 
Cape Verde, Guinea-Bissau and Sao Tome e Principe

Explores hieroglyphs as a metaphor for the relationship between new media and writing in British modernism In the British Museum, one object attracts more tourists than any other: the Rosetta Stone. …

For nearly a century, members of the Dildilian family practiced the art of photography in Ottoman Turkey, Greece and the United States. This book contains over 300 photographs, most taken during the …

BRITISH TRASH CINEMA is the first overview of the wilder shores of British exploitation and cult paracinema from the 1950s onwards. From obscure horror, science fiction and sexploitation, to art-hous …

Thinking in Images addresses the current crisis in film theory by offering a new methodology for interrelating theory and film texts. Drawing on the groundbreaking work of Michele Le Doeuff the autho …

The digital video revolution has blurred the lines between professional and amateur equipment, with some Hollywood movies being shot and edited using the same technology that families use for their v …

Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film song …

Suspicious of what he called the spectator”s “sticky” adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audie …

What patterns emerge in media coverage and character depiction of Southern men and women, blacks and whites, in the years between 1954 and 1976? How do portrayals of the region and the equal rights m …

In this groundbreaking exploration of in-flight cinema, Stephen Groening traces the history of this transnational cinematic practice. At once a history of exhibition and an inquiry into changing form …

It would be unthinkable now to omit early female pioneers from any survey of photography”s history in the Western world. Yet for many years the gendered language of American, British and French phot …