A cryptic, self-negating series of notes for an unfinished work of fiction, this astonishing book is made up of ideas for characters and plot points, anecdotes and tales, literary references both real and invented, and populated by an array of fictional authors and their respective literary cliques, all of whom sport multiple pseudonyms, publish their own literary journals, and produce their own ideas for books, characters, poems . . . A dizzying look at the ugly backrooms of literature, where aesthetic ambitions are forever under siege by petty squabbles, long-nurtured grudges, envied or undeserved prizes, bankrupt publishers, and self-important critics,
The No Variations is a serious game, or perhaps a frivolous tragedy, with the author and his menagerie of invented peers fighting to keep their feelings of futility at bay. A literary cousin to David Markson and César Aira,
The No Variations is one of the great ‘novels’ of contemporary Latin American literature.
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