<P>The highly influential Poetics Journal, whose ten issues were published between 1982 and 1998, contributed to the surge of interest in the practice of poetics. Edited by internationally recognized poet/critics Lyn Hejinian and Barrett Watten, the journal presents major conversations and debates, and invites readers to expand on the critical and creative engagements they represent. This archive re-presents virtually all the articles originally published in Poetics Journal, organized alphabetically by author and in searchable form. It features indexes by contributors, keywords, and volume.</P><P>The writing that appeared in Poetics Journal reflects the development of a range of creative and critical approaches in avant-garde poetry and art over two decades. In making this content newly available, the editors hope to preserve the generative enthusiasm for innovative writing and art it represents, while encouraging new uses and contexts.</P><P>A Guide to Poetics Journal is also available, see http://www.upne.com/0819571205.html for more information.</P>
About the author
<P>LYN HEJINIAN is the author of many books of poetry, essays, and translations. Among her best-known works are My Life, A Border Comedy, The Book of a Thousand Eyes, and The Language of Inquiry. She teaches at University of California, Berkeley. BARRETT WATTEN teaches at Wayne State University in Detroit. His major collections include Frame, Progress/Under Erasure, Bad History, and The Constructivist Moment: From Material Text to Cultural Poetics. Both are among the ten authors of The Grand Piano: An Experiment in Collective Autobiography.</P>
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