Martin Flanagan uses Bakhtin’s notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.
Table of Content
Acknowledgements List of Abbreviations Introduction Dialogism and Film Studies: The Dialogic Spectator Chronotope I: Time, Space, Narrative Chronotope II: Time, Space and Genre in the Western Film Polyphony: Authorship and Power Hollywood Calling: Cinema’s Technological Address Conclusion: Making It Real Notes Bibliography Filmography Index
About the author
MARTIN FLANAGAN is Senior Lecturer in Film and Media Studies at the University of Bolton, UK. His research explores the interrelated dynamics of narrative, genre and audience in contemporary cinema. He has published articles on several Hollywood genres including the Western, the action film, and the comic book adaptation, and on the directors Terrence Malick and Robert Rodriguez.
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