Since the golden era of silent movies, stars have been described as screen gods, goddesses and idols. This is the story of how Olympus moved to Hollywood to divinise stars as Apollos and Venuses for the modern age, and defined a model of stardom that is still with us today.
Table of Content
Introduction: Olympus Moves to Hollywood PART I: CHARTING THE FIRMAMENT Shadows of Desire: War, Youth and the Classical Vernacular Swanson Venus and Apollo Arlen: Sculpting the Star Body PART II: FLIGHTS TO ANTIQUITY The Flight to Antiquity Ben-Hur (Fred Niblo, 1925) and the Idolisation of Ramon Novarro PART III: UNDYING PASTS ‘The Undying Past’: Flesh and the Devil (Clarence Brown, 1926). ‘A Monument to Youth and Romance’: The Death of Rudolph Valentino Conclusion: The End of the Golden Age? Bibliography Index
About the author
MICHAEL WILLIAMS is Senior Lecturer in Film Studies at the University of Southampton, UK. He is author of Ivor Novello: Screen Idol, and is co-editor of British Silent Cinema and the Great War published by Palgrave Macmillan. He has also written on stardom; film and antiquity, British cinema; landscape, sexuality and the heritage film.
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