When a middle-aged boy player returns to London’s Globe playhouse during a terrible revival of Romeo and Juliet, she sets off a chain of events as great as any of Shakespeare’s entertainments, revealing a love story that lay hidden for decades, just beneath the lines of the script. Centuries later, an out-of-work Sydney actor connects the dots of this drama and is inspired to write a play, bringing him face to face with big life lessons in the art and politics of storytelling. The lives of these two unconventional players collide in a journey from Australia to England, from drama school to the professional stage, from male to female, from failure to success and back again, exploring the untold story of those who created the complete works of William Shakespeare.
Table of Content
Merely Players: Acting like Shakespeare really matters
LGBTI Labour’s Lost: A case for transgender players
Merely Players: A two-act play
Shakespeare: a farmer who cultivated words
About the author
Michael Burge is an Australian author and journalist who lives at Deepwater in the New England region of NSW with his husband and their dogs. After graduating from the National Institute of Dramatic Art, Michael undertook media studies in the United Kingdom. His non-fiction debut ‘Questionable Deeds: Making a stand for equal love’ lifted the lid on familial and institutional homophobia in Australia during the marriage equality campaign. Michael has written, edited, directed and broadcast for Fairfax Media, Intermedia, United News & Media, Margo Kingston’s No Fibs and a range of lifestyle mastheads. He is director of the annual High Country Writers Festival in Glen Innes. His complete works can be found at www.burgewords.com. ‘Tank Water’ is his first novel.
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