In Act 1, Claude, 55, visits his father Alex, 77, in an Alzheimer’s ward, intimately tending to his bodily functions and needs while hopelessly trying to reach his silent, vacant father with a series of monologues—to settle old scores and misunderstandings between them.
In an astonishing and eerie reversal of roles, in Act 2 it is Alex who visits his son Claude in the same Alzheimer’s ward and it is Alex’s turn to rant and rail at what he perceives to be his mute son’s contempt for his own working class life.
With a cruel and disconsolate irony, we come to see that his father’s lifelong attempt to mock and censure Claude’s work as consisting of nothing but mediocre, misrepresentative lies, has been the very driving force behind Claude’s compulsion to continue to reveal the “truth” of human relationships as he so desperately wants his father to understand it.
About the author
Linda Gaboriau is an award-winning literary translator based in Montréal. Her translations of plays by Québec’s most prominent playwrights have been published and produced across Canada and abroad. In her work as a literary manager and dramaturge, she has directed numerous translation residencies and international exchange projects. She is the founding director of the Banff International Literary Translation Centre. Gaboriau has won the Governor General’s Award for Translation three times: in 1996 for Daniel Danis’s Stone and Ashes, in 2010 for Wajdi Mouawad’s Forests, and in 2019 for Wajdi Mouawad’s Birds of a Kind. She is a member of the Order of Canada and an Officer of the Ordre national du Québec.
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