Dance theatre has become a site of transformation in the Irish performance landscape. This book conducts a socio-political and cultural reading of dance theatre practice in Ireland from Yeats’ dance plays at the start of the 20th century to Celtic-Tiger-era works of Fabulous Beast Dance Theatre and Cois Céim Dance Theatre at the start of the 21st.
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List of Illustrations Acknowledgements Introduction Danced Precedents from Yeats to Davis Genre Debates: the Dance and the Bathwater Choreographing Narratives: Buried Bodies and Constitutive Stories in The Bull and Ballads Choreographing the Unanticipated: Death, Hope and Verticality in Giselle and The Rite of Spring Choreographing Dissensus: Dodgems and Roundabouts Concluding Thoughts and Future Moves Select Bibliography Index
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AOIFE Mc GRATH is Lecturer in the Drama Department at Queen’s University Belfast, Ireland and recently completed her doctoral studies at Trinity College Dublin. She is a Trinity College Dublin gold medallist and the winner of the Irish Society of Theatre Research’s inaugural New Scholar’s Prize (2011). She is a dancer and choreographer and has worked as the dance adviser for the Irish Arts Council.
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