“Awork of epic vision” reflecting our fraught contemporary moment of racial and gendered hatred, mass migration, global war, and terror (New York Journal of Books). Waldman appropriates the idea of William Blake’s unborn spirit of Thel to explore artists’ and activists’ roles during the Anthropocene. “Throughout, these long poems alternate between verse and prose, Eastern and Western philosophy, spiritual channeling and focused critique” (Publishers Weekly). “Juxtaposing lyric arcana, journalism, critical fragments, visions of mythic and mystic beings, narrative, polemics, and even ekphrasis, Waldman has created a work that is simultaneously jeremiad and psalm. It is, then, both fearful and celebratory, an epic of a ‘time before birth’” (Lyn Hejinian). Profoundly resonant, essential, and impassioned, Waldman’s latest work deserves to be read aloud to appreciate its deepest waters.
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Anne Waldman is the author of numerous volumes of poetry including the feminist epic
The Iovis Trilogy, Colors in The Mechanism of Concealment which won the USA Pen Center Award for Poetry in 2012. Other recent books include
Manatee/Humanity,
Gossamurmur and
Jaguar Harmonics , and the anthology
CROSS WORLDS: Transcultural Poetics (Coffee House Press 2014, co-edited with Laura Wright). She is a recipient of the Shelley Award, a Guggenheim fellowship, and is a Chancellor of The Academy of American Poets. She has been at the forefront of cultural activism, and one of the founders of the Poetry Project at St Marks Church In-the-Bowery and a co-founder with Allen Ginsberg of the celebrated Jack Kerouac School of Disembodied Poetics at Naropa University in Boulder, the first Buddhist-inspired University in the west. Her work has been published, most recently in French and Finnish.
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