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perlindungan daripada Lutendo Nendauni: Cultural and Racial Representation in South African Soap Operas. 'Generations' and 'Muvhango'

Lutendo Nendauni: Cultural and Racial Representation in South African Soap Operas. ‘Generations’ and ‘Muvhango’

Seminar paper from the year 2016 in the subject Film Science, University of Venda, course: Media studies, language: English, abstract: This paper intends to examine how culture and race are represent …

perlindungan daripada Sandra Kuberski: Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s 'Un Chien Andalou'

Sandra Kuberski: Sergei Eisenstein’s Montage Techniques and their Meanings in Comparison to Louis Buñuel’s ‘Un Chien Andalou’

Essay from the year 2011 in the subject Film Science, grade: 1, 3, University of Essex (Film), course: Introduction to Film, language: English, abstract: In the 1930s the Soviet revolutionary cinema …

perlindungan daripada Racism and stereo types in Walt Disney movies. An analysis of 'Pocahontas' (1995)

Racism and stereo types in Walt Disney movies. An analysis of ‘Pocahontas’ (1995)

Seminar paper from the year 2015 in the subject Film Science, grade: 1, 0, University of Kassel (Geistes- und Kulturwissenschaften), course: Sociolinguistic Studies: Structures of Othering, language: …

perlindungan daripada Ursula Fudge: Elements of postmodern cinema in the Japanese Film 'Kamikaze Girls' in comparison to the German Film 'Run Lola Run'

Ursula Fudge: Elements of postmodern cinema in the Japanese Film ‘Kamikaze Girls’ in comparison to the German Film ‘Run Lola Run’

Essay from the year 2013 in the subject Film Science, grade: 65%, Birkbeck, University of London, course: MA World Cinema, language: English, abstract: Postmodernity, despite its connotations with mo …

perlindungan daripada Chand Kumawat: Camera Buying Guide

Chand Kumawat: Camera Buying Guide

Looking to step up your photography game? Whether you’re a beginner or a seasoned pro, the right camera and equipment can make all the difference in capturing stunning photos. In this comprehensive c …

perlindungan daripada Christian Hansmeyer: Charlie Chaplin’s techniques for the creation of comic effect in his films

Christian Hansmeyer: Charlie Chaplin’s techniques for the creation of comic effect in his films

Essay from the year 1999 in the subject Film Science, grade: 1 (A), University of Portsmouth (School of Language and Area Studies), course: American Cinema Studies (Level 2/3), language: English, abs …

perlindungan daripada Oliver Schill: The 'Sensibilismus' movement in Wim Wenders' Alice in the Cities (1974) and Kings of the Road (1976) compared to The American Friend (1975/76)

Oliver Schill: The ‘Sensibilismus’ movement in Wim Wenders’ Alice in the Cities (1974) and Kings of the Road (1976) compared to The American Friend (1975/76)

Seminar paper from the year 2003 in the subject Film Science, grade: B, Concordia University Montreal (Mel Hoppenheim School For Cinema), course: New German Cinema, language: English, abstract: “Neve …

perlindungan daripada T. Schlipfinger: The Downward Spiral. Repetition in Hitchcock's 'Vertigo'

T. Schlipfinger: The Downward Spiral. Repetition in Hitchcock’s ‘Vertigo’

Seminar paper from the year 2011 in the subject Film Science, grade: 1, 5, University of Innsbruck (Amerikanistik), course: Memory in Film and Literature, language: English, abstract: It is hard to d …

perlindungan daripada Karina Schmitt: An Analysis of “Blood In Blood Out”. Personal Identity Construction in Gangs

Karina Schmitt: An Analysis of “Blood In Blood Out”. Personal Identity Construction in Gangs

Bachelor Thesis from the year 2014 in the subject Film Science, grade: A, University of Southern Denmark, course: Spanish and Spanish American Studies, language: English, abstract: Our social constru …

perlindungan daripada Oliver Schill: D.W. Griffith, Analysis Of Parallel Editing

Oliver Schill: D.W. Griffith, Analysis Of Parallel Editing

Research Paper (undergraduate) from the year 2003 in the subject Film Science, grade: A+, Concordia University Montreal (Mel Hoppenhim School For Cinema), course: Montage Aesthethics, language: Engli …

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