The Preface begins: ‘That all Defoe’s novels, with the exception of ‘Robinson Crusoe, ‘ should have been covered with the dust of neglect for many generations, is a plain proof of how much fashions in taste affect the popularity of the British classics. It is true that three generations or so ago, Defoe’s works were edited by both Sir Walter Scott and Hazlitt, and that this masterly piece of realism, ‘Captain Singleton, ‘ was reprinted a few years back in ‘The Camelot Classics, ‘ but it is safe to say that out of every thousand readers of ‘Robinson Crusoe’ only one or two will have even heard of the ‘Memoirs of a Cavalier, ‘ ‘Colonel Jack, ‘ ‘Moll Flanders, ‘ or ‘Captain Singleton.’ It is indeed distressing to think that while many scores of thousands of copies of Lord Lytton’s flashy romance, ‘Paul Clifford, ‘ have been devoured by the public, ‘Captain Singleton’ has remained unread and almost forgotten.’ According to Wikipedia: Daniel Defoe (1659/1661 [?] — 1731), born Daniel Foe, was an English writer, journalist, and pamphleteer, who gained enduring fame for his novel Robinson Crusoe. Defoe is notable for being one of the earliest practitioners of the novel, as he helped to popularise the form in Britain, and is even referred to by some as one of the founders of the English novel. A prolific and versatile writer, he wrote more than five hundred books, pamphlets, and journals on various topics (including politics, crime, religion, marriage, psychology and the supernatural). He was also a pioneer of economic journalism.’
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