Jadual kandungan
Introduction Kate Nash and Deane Williams
Where and what is documentary (studies) in an age of epistemic crisis?
Saying more about doc...
Jadual kandungan
Introduction Kate Nash and Deane Williams
Where and what is documentary (studies) in an age of epistemic crisis?
Saying more about documentary? John Corner Next Steps: Post-Truth, (Post-Trump?) and Post-Digital is Poetry, Alexandra Juhasz The Documentary Disposition, Michael Renov
Documentary in the Anthropocene
‘We are all Dead and we are all going to die’: The Apocalypse Documentary, Alisa Lebow Cinema of qi: a Daoist approach to ecological, sensory and affective cinema through vital energy, Kiki Tianqi Yu The Possible Worlds of VR documentary, Mandy Rose Documentary Realism in the Anthropocene, Selmin Kara
Audio/Visualities: Polyphony, complexity and representation
Reflection, staging and documentary film: The monadic camera-subject, Fernão Pessoa Ramos Documentary says ‘We’: Lyrical Polyphony as Practice Flee and the animated documentary, Bella Honess Roe
Re-viewing the ethics and politics of representation
Polyphonic narration and epistemological confusion in Shirley Clarke’s The Connection, Jaimie Baron Towards a history of the International Association of Documentary Filmmakers: The Congress of Algiers 1968 and dialogue with the Third World, Mariano Mestman Souvenir and Heritage: Whose memory is this? Catherine Russell Wang Bing’s documentary po/ethics of the Maoist chaos and the paradigm of Western Testimony: Unwitnessing, Victims, Collaborators, Followers, Cadres and Dissidents, Raya Morag South Somewhere Else: Decolonising the documentary, cross-cultural collaborative filmmaking in the Global South, Deane Williams and Antonio Traverso
Documentary and politics
The case of Nuclear Documentary, Helen Hughes Radical Civic Media: Equipe Media and global documentary ecologies of impact, Ryan Watson
Documentary Storytelling for Social Change in the Participatory Media Age: Understanding Nonfiction’s Social Impact and Future Challenges, Caty Borum Entertainment with a Purpose: Netflix and Documentary today, Annie Goldson Documentary-on-demand: Researching audience engagements with (political) documentary on Netflix, Kate Nash and Craig Hight From Testimony to the Cinema of Action in the Video nas Aldeias Project, Gilberto Alexandre Sobrinho
Production, Distribution, Audiences: The changing documentary ‘industry’
Utility for the Utilitarian: Documentary’s uses for other kinds of non-fiction film, Grace Russell Documentary Funding in the Age of the Streamers, Inge Sørensen and Nick Higgins Audience Engagement: Streaming factuality in the Nordic region, Annette Hill
Digital documentary practices
Compilationism and Digital Media: From Documentaries to Audio-Visual Essays, Chiara Grizzaffi Augmented Reality Documentary, Dale Hudson, Claudia Costa Pederson and Patty Zimmerman Tilting at Windmills, Brian Winston
