Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility. Poe, the tale-writer, was very faithful to his theory. It is not often that an author is able to illustrate his critical ideas in his original work as well as Poe did; and in his tales perhaps, even more than in his poems. And now that the shorter tale seems almost likely in its increasing vogue to take the place of the long novel – not altogether unfor tunately, it may be thought, seeing to what inane results the long novel is apt to lead us – Poe’s tales may well be turned to anew for their admirable example in the art of fiction. There are, no doubt, many paths open to the tale-writer that he did not attempt. His, it has been said, was a narrow range, in which melancholy, curiosity, and horror are the leading motives; but it was Poe’s virtue that, driven by temperament and circumstance toward these things, he strove to give them in the most perfect way.
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