A monumental work, expansive in scope, covering the life, times, and culture of that most famous of the Wobblies—songwriter, poet, hobo, thinker, humorist, martyr—Joe Hill. It is a journey into the Wobbly culture that made Hill and the capitalist culture that killed him. Many aspects of the life and lore of Joe Hill receive their first and only discussion in IWW historian Franklin Rosemont’s opus.
In great detail, the issues that Joe Hill raised and grappled with in his life: capitalism, white supremacy, gender, religion, wilderness, law, prison, and industrial unionism are shown in both the context of Hill’s life and for their enduring relevance in the century since his death.
Collected too is Joe Hill’s art, plus scores of other images featuring Hill-inspired art by IWW illustrators from Ralph Chaplin to Carlos Cortez, as well as contributions from many other labor artists.
As Rosemont suggests in this remarkable book, Joe Hill never really died. He lives in the minds of young (and old) rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day.
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David Roediger is Kendrick Babcock Chair of History at the University of Illinois. Among his books are Our Own Time: A History of American Labor and the Working Day (with Philip S. Foner), How Race Survived U.S. History: From Settlement and Slavery to the Obama Phenomenon, and The Wages of Whiteness: Race and the Making of the American Working Class. He is the editor of Fellow Worker: The Life of Fred Thompson, The North and Slavery, and Black on White: Black Writers on What It Means to Be White as well as a new edition of Covington Hall’s Labor Struggles in the Deep South. His articles have appeared in New Left Review, Against the Current, Radical History Review, History Workshop Journal, and The Progressive.
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