This expanded second edition of Reclaiming Artistic Research explores artistic research in dialogue with 24 artists worldwide, reclaiming it from academic associations of the term. Embracing artists’ dynamic engagement with other fields, it foregrounds the material, spatial, embodied, organizational, choreographic, and technological ways of knowing and unknowing specific to contemporary artistic inquiry. The second edition features a new text by the author and four new artist dialogues to reflect on the changing stakes of artistic research in the wake of the global pandemic, a widespread reckoning with social justice, the growing role of artificial intelligence, and the urgent reality of climate change.
LUCY COTTER (*1973, Ireland) is a writer, curator, and artist. She was Curator of the Dutch Pavilion, 57th Venice Biennale, 2017, and Curator in Residence at Oregon Center for Contemporary Art 2021–22. The inaugural director of the Master Artistic Research, Royal Academy of Art, The Hague, Cotter has lectured internationally, most recently at Portland State University.
She holds a project residency at Stelo Arts and Culture Foundation 2023-24.
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Cover
Title Page
Contents
ARTISTIC RESEARCH IN A WORLD ON FIRE
MAKING AS FUTURE SURVIVAL
SOUNDING OUT THE LAW
HEALING AS BECOMING
HISTORY AS A QUESTION
FACT AS FICTION
EMBODIED KNOWLEDGE
LANGUAGE AS FILM
MAKING AS TRANSLATION
ART AS NON-KNOWLEDGE
PERFORMANCE AS PHILOSOPHY
SEEING AS UNKNOWING
SOUND AS KNOWLEDGE
REHEARSAL AS A MODE OF BEING
BEYOND LANGUAGE
BECOMING THE ARCHIVE
KNOWLEDGE AS PRODUCTION
THE MALLEABILITY OF SPACE AND TIME
RESEARCH AS PLAY
BETWEEN THE VIRTUAL AND THE REAL
WORLDING MATTER
FUTURE ECOLOGIES
WRITING AS EXPERIMENT
THE FUTURE OF INSTITUTIONS
TECHNOLOGY AS CARE
RECLAIMING ARTISTIC RESEARCH
Acknowledgments
Biographies
Colophon
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