Examining some of the most iconic texts in English theatre history, including Titus Andronicus and The Changeling, this book, now in paperback with a new Preface, reveals the pernicious erasure of rape and violence against women in the early modern era and the politics and ethics of rehearsing these negotiations on the 20th and 21st century stages.
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List of Illustrations Preface to Paperback Edition Acknowledgements Encounters with the Missing: From the Invisible Acts to In/visible Acts Rape’s Metatheatrical Return: Rehearsing Sexual Violence Among the Early Moderns The Punitive Scene and the Performance of Salvation: Violence, the Flesh, and the Word Witness to Despair: The Martyr of Malfi’s Ghost The Architecture of the Act: Renovating Beatrice Joanna’s Closet Afterword Bibliography Notes Index
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KIM SOLGA is Senior Lecturer in the Department of Drama at Queen Mary, University of London, UK. With D.J. Hopkins and Shelley Orr she is the editor of
Performance and the City, also from Palgrave Macmillan.
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