Communism’s Public Sphere explores the political role of cultural spaces in the Eastern Bloc. Under communist regimes that banned free speech, political discussions shifted to spaces of art: theaters, galleries, concert halls, and youth clubs. Kyrill Kunakhovich shows how these venues turned into sites of dialogue and contestation. While officials used them to spread the communist message, artists and audiences often flouted state policy and championed alternative visions. Cultural spaces therefore came to function as a public sphere, or a rare outlet for discussing public affairs.
Focusing on Kraków in Poland and Leipzig in East Germany, Communism’s Public Sphere sheds new light on state-society interactions in the Eastern Bloc. In place of the familiar trope of domination and resistance, it highlights unexpected symbioses like state-sponsored rock and roll, socialist consumerism, and sanctioned dissent.
By examining nearly five decades of communist rule, from the Red Army’s arrival in Poland in 1944 to German reunification in 1990, Kunakhovich argues that cultural spaces played a pivotal mediating role. They helped reform and stabilize East European communism but also gave cover to the protest movements that ultimately brought it down.
Jadual kandungan
Introduction
1. Chapter 1: Takeover: Reconstruction as Revolution
2. Chapter 2: Planning: Workers’ Productivity and Cultural Mass Work
3. Chapter 3: Nationalism: Public Protest and the Birth of National Communism
4. Chapter 4: Pluralism: Individual Choice and Public-Opinion Polling
5. Chapter 5: Consumerism: Cultured Consumption and Its Limits
6. Chapter 6: Reform: The Promise and Peril of Controlled Revolt
7. Chapter 7: Dissent: Normalization and Its Discontents
8. Chapter 8: Protest: Spaces of Opposition, Spaces of Dialogue
Epilogue
Mengenai Pengarang
Kyrill Kunakhovich is Assistant Professor of History at the University of Virginia. He is coeditor of The Long 1989.
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