Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state — it has much more to do with disputing boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium.
Mengenai Pengarang
Lisa Gotto Lisa Gotto is Professor of Film Theory at the University of Vienna. Her research spans the fields of digital media culture, film studies, game studies, and comparative media studies.Beli ebook ini dan dapatkan 1 lagi PERCUMA!
Bahasa Inggeris ● Format PDF ● Halaman-halaman 250 ● ISBN 9783839453377 ● Saiz fail 10.4 MB ● Penerbit transcript Verlag ● Bandar raya Bielefeld ● Negara DE ● Diterbitkan 2021 ● Edisi 1 ● Muat turun 24 bulan ● Mata wang EUR ● ID 7442148 ● Salin perlindungan Social DRM