The contributions to this Festschrift, honouring the distinguished Irish musicologist Harry White on his sixtieth birthday, have wide repercussions and span a broad timeframe. But for all its variety, this volume is built around two axes: on the one hand, attention is focussed on the history of music and literature in Ireland and the British Isles, and on the other, topics of the German and Austrian musical past. In both cases it reflects the particular interest of a scholar, whose playful, sometimes unconventional way of approaching his subject is so refreshing and time and again leads to innovative, surprising insights. It also reflects a scholar, who – for all the broadening of his perspectives that has taken place over the years – has always adhered to the strands of his scholarly preoccupations that have become dear to him: the music of the ‘Austro-Italian Baroque’, and Irish musical culture first and foremost. An international cast of authors announces the sustaining influence of Harry White’s wide-ranging research.
Professor Dr Thomas Hochradner
Chair of the Department of Musicology
University of Music and Dramatic Arts Mozarteum Salzburg
Jadual kandungan
CONTENTS
NOTES ON CONTRIBUTORS
FOREWORD by Gerard Gillen
INTRODUCTION by Lorraine Byrne Bodley and Robin Elliott
PART ONE: THE MUSICAL BAROQUE
Julian Horton: J. S. Bach’s Fugue in C sharp minor, Well-Tempered Clavier, Book I and the Autonomy of the Musical Work
Lorenz Welker: Johann Joseph Fux’s Sonata à 4 in G (K. 347): Further Considerations on its Source, Style, Context and Authorship
Tassilo Erhardt: Johann Joseph Fux’ Church Music in its Spiritual and Liturgical Contexts
Jen-yen Chen: The Musical Baroque in China: Interactions and Conf licts
Denis Collins: Canon in Baroque Italy: Paolo Agostini’s Collections of Masses, Motets and Counterpoints from 1627
PART TWO: MUSIC IN IRELAND
Kerry Houston: John Mathews: A Specimen of Georgian Ignorance?
Ita Beausang: There is a calm for those who weep: William Shore’s New Edition of a Chorale by John [sic] Sebastian Bach
Axel Klein: ‘No, Sir, the Irish are not musical’: Some Historic (?) Debates on Irish Musicality
Adrian Scahill: ‘That vulgar strummer’: The Piano and Traditional Music in the Gaelic Revival
Maria Mc Hale: ‘Hopes for regeneration’: Opera in Revivalist Dublin, 1900–1916
Karol Mullaney-Dignam: ‘What do we mean by Irish music?’ The Politics of State-Sponsored Music Publication in Independent Ireland
Ruth Stanley: ‘Jazzing the soul of the Nation away’: The Hidden History of Jazz in Ireland and Northern Ireland During the Interwar Years
Gearóid Ó h Allmhuráin: Sonic Icon, Music Pilgrimage: Creating an Irish World Music Capital
Méabh Ní Fhuartháin: ‘In the mood for dancing’: Emigrant, Pop and Female
Gareth Cox: Aloys Fleischmann’s Games (1990)
Denise Neary: The Development of Music Performance as Artistic Research in Ireland
Michael Murphy: ‘Irish’ Musicology and Musicology in Ireland
PART THREE: MUSIC AND LITERATURE
Declan Kiberd: The New Policeman
Gerry Smyth: Moore, Wagner, Joyce: Evelyn Innes and the Irish Wagnerian Novel
John O’Flynn: Alex North, James Joyce, and John Huston’s The Dead (1987)
Patrick Zuk: L’ami inconnu: Nataliya Esposito and Ivan Bunin
PART FOUR: AUSTRO-GERMANIC TRADITIONS
Michael Hüttler: Hof- and Domkapellmeister Johann Joseph Friebert (1724–1799) and his Singspiele
Anne Hyland: Tautology or Teleology? Reconsidering Repetition and Difference in Two Schubertian Symphonic First Movements
Susan Youens: Of Anthropophagy, the Abolitionist Movement, and Brahms
Shane Mc Mahon: The Moth-Eaten Musical Brocade
David Cooper: ‘Die zweite Heimat’: Musical Personae in a Second Home
Glenn Stanley: Brechtian ‘Fidelio’. Performances in West Germany
Nicole Grimes: Brahms as a Vanishing Point in the music of Wolfgang Rihm
PART FIVE: MUSIC IN BRITAIN
Pauline Graham: Intimations of Eternity in the Creeds from William Byrd’s Five-Voice Mass and Great Service
John Cunningham (Bangor University): ‘An Irishman in an opera!’:
Music and Nationalism on the London Stage in the Mid–1770s
Jeremy Dibble: Canon Thomas Hudson, Clergyman Musician, Cambridge Don and the Hovingham ‘Experiment’
William A. Everett: The Great War, Propaganda, and Orientalist Musical Theatre
Richard Aldous: ‘Flash Harry’: Sir Malcolm Sargent and the Progress of Music in England
PART SIX: MUSIC HISTORIES WORLDWIDE
Philip V. Bohlman: Worlds Apart: Resounding Selves and Others on Islands of Music History
Ivano Cavallini: A Counter-Reformation. Reaction to Slovenian and Croatian Protestantism
Stanislav Tuksar: Musical Prints from c.1750–1815 in the Dubrovnik Franciscan Music Collection
Vjera Katalinic: Routes of Travels and Points of Encounters Observed Through Musical Borrowings
Jan Smaczny: Antonín Dvořák in the Salon
Jaime Jones: Singing the Way
PART SEVEN: MUSIC AND POETRY
John Buckley: A Setting of Harry White’s Sonnet Bardolino from Polite Forms (2012) for Baritone and Piano
AFTERWORD by Iain Fenlon
HARRY WHITE: PUBLICATIONS
Lebih banyak ebook daripada pengarang yang sama / Penyunting
12,837 Ebooks dalam kategori ini
