A woman embarks on a dazzling new phase in her life after inheriting a sprawling mansion and its vast collection of taxidermy.
Pulitzer Prize finalist Lydia Millet is ‘one of the most acclaimed novelists of her generation’ (Scott Timberg,Los Angeles Times).
Salon praised her for writing that is ‘always flawlessly beautiful, reaching for an experience that precedes language itself.’ The
Village Voice added, ‘If Kurt Vonnegut were still alive, he would be extremely jealous.’
This stunning new novel presents Susan Lindley, a woman adrift after her husband’s death and the dissolution of her family. Embarking on a new phase in her life after inheriting her uncle’s sprawling mansion and its vast collection of taxidermy, Susan decides to restore the neglected, moth-eaten animal mounts, tending to “the fur and feathers, the beaks, the bones and shimmering tails.” Meanwhile an equally derelict human menagerie—including an unfaithful husband and a chorus of eccentric old women—joins her in residence.
In a setting both wondrous and absurd, Susan defends her legacy from freeloading relatives and explores the mansion’s unknown spaces. Funny and heartbreaking, Magnificence explores evolution and extinction, children and parenthood, loss and revelation. The result is the rapturous final act to the critically acclaimed cycle of novels that began with How the Dead Dream.
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Lydia Millet is the author of A Children’s Bible, a finalist for the National Book Award and a New York Times Top Ten book of the Year. Her first work of short fiction, Love in Infant Monkeys, was a finalist for the Pulitzer Prize in 2010; her second, Fight No More (2018), won an American Academy of Arts and Sciences short fiction award. Ativists is her third work of short fiction. She lives outside Tucson, Arizona.
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