In this stunning meditative piece of prose poetry, intertwined with beautiful black and white photographs, Matthew Shaw explores the relationship between self and space, effortlessly weaving profound explorations of nature, time, history, spirituality, myth and growth in his ode to the annual cycle of seasons.
Reviews
It is a masterwork – from the opening majestic image to the closing one. It’s a great flow of words, slowing, gathering pace, surging – as nature does. It provokes thoughts and anxieties, yet there is such joy and tenderness, a balm, ‘a doorway of hope’, with ‘nature more determined than tarmac.’ It is personal and profound, written by a man whose eyes and senses miss very little; would that I could experience all that Matthew Shaw does in his epic Atmosphere of Mona. – Shirley Collins, folk singer and author of All in the Downs
Matthew Shaw channels reverse traditions into the future via music/word gnosis, landscape as character/life, and a connection to the heart that is as direct, and spontaneous, as it is unerringly true. – David Keenan, critic, musician and author England’s Hidden Reverse, This is Memorial Device and For the Good Times
He casts individual notes as words. Verticals which he gently demands we pause to taste; seeds, pathways, gateposts and lenses. These poems hold space and breath in a Haiku of moments; the drift of the music cupped, stopping us dead in our tracks. Now the flow and ebb, which he mastered before, watches the singularity of the moment. The stand still to breath in the actual moment. The primal zen of now. – Brian Catling, author of The Vorrh trilogy and Earwig
Matthew Shaw is a magnificent voice of the nature spirit as well as the human spirit. He combines beautiful feelings with clear thoughts. I am always inspired by the depth of his powerful poems – Satish Kumar, former editor of Resurgence, ecologist and author
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