Pengarang: Michael Burden

Regina Mingotti was the first female impresario to run London’s opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Min …

Regina Mingotti was the first female impresario to run London’s opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Min …

The diary of Anton Reiff Jr. (c. 1830–1916) is one of only a handful of primary sources to offer a firsthand account of antebellum riverboat travel in the American South. The Pyne and Harrison Opera …

The diary of Anton Reiff Jr. (c. 1830-1916) is one of only a handful of primary sources to offer a firsthand account of antebellum riverboat travel in the American South. The Pyne and Harrison Opera …

This new study brings together visual images and scholarly discussion of Le Ballet de la Nuit, a major ballet de cour organised by Louis de Hesselin and first performed in the Louvre’s Salle du Petit …

The first book-length study of musical education and culture in twentieth-century Oxford. Music has always played a central role in the life of Oxford, in both the city and university, through the gr …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The thrust of these five volumes is contained in their title, London Opera Observ’d. It takes its cue from the numerous texts and volumes which – during the seventeenth, eighteenth and nineteenth cen …

The essays in English Theatrical Anecdotes, 1660-1800 explore the theatrical anecdote’s role in the construction of stage fame in England’s emergent celebrity culture during the long eighteenth centu …

The essays in English Theatrical Anecdotes, 1660-1800 explore the theatrical anecdote’s role in the construction of stage fame in England’s emergent celebrity culture during the long eighteenth centu …