Michael Walsh 
Durational Cinema [PDF ebook] 
A Short History of Long Films

Sokongan

This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol’s durational cinema of subtraction is quite different from Jacobs’s durational cinema of socialdisgust, while Lav Diaz’ durational sublime is quite different from Kevin Jerome Everson’s unblinking studies of African-American working people.

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Jadual kandungan

1. Introduction.- 2. The New York Avant-Garde of the 1960s.- 3. European Art Cinema in the Years After 1968.- 4. Gallery and Museum Spaces Since the 1990s.- 5. Durational Documentary.

Mengenai Pengarang

 Michael Walsh was born in London of Irish immigrant parents and educated at Sussex, UK, and Buffalo, USA. He has chaired Cinema Departments at Binghamton University, USA, and University of Hartford, USA, where he is currently Associate Professor. He has published widely on film, literature, and theory.
 

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Bahasa Inggeris ● Format PDF ● Halaman-halaman 289 ● ISBN 9783030760922 ● Saiz fail 4.3 MB ● Penerbit Springer International Publishing ● Bandar raya Cham ● Negara CH ● Diterbitkan 2022 ● Muat turun 24 bulan ● Mata wang EUR ● ID 8737424 ● Salin perlindungan Social DRM

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