Der Geizige Molière – Der Geizige’ gehört unbestritten zu den beliebtesten Stücken Molières. Schon Goethe hat die Komödie des Theaterkönners hoch geschätzt und sie als ‘besonders groß und im hohem Sinne tragisch’ bezeichnet; tragisch, weil uns die Bösartigkeit Harpagons das Lachen im Halse gefrieren lässt.Harpagon ist ein Geizkragen, wie er im Buche steht. Sein Geiz und seine Habgier haben sich zum Wahn gesteigert. Alle leiden sie in seinem Haus darunter: Seine Kinder fristen ein elendes, unglückliches Dasein, weil er sie an der kurzen Leine hält. Die Belegschaft steht ständig unter Generalverdacht, Diebsgesindel zu sein. Ja, selbst seine Pferde sind nur noch abgezehrte Gerippe, weil Harpagon am Futter sparen lässt. Als er dreißigtausend Livres in Goldstücken in einer Schatulle im Garten vergräbt, wird alles nur noch schlimmer. Und dann will der Alte auch noch Mariane, die Geliebte seines Sohnes Cléante, heiraten und seine Tochter Élise in die Hände eines betagten Mannes geben, den sie nicht liebt, bloß weil der auf die Mitgift verzichtet.
Mengenai Pengarang
Jean-Baptiste Poquelin, also known by his stage name, Molière, was a French playwright and actor who is considered one of the greatest masters of comedy in Western literature. Among Molière’s best-known dramas are Le Misanthrope, (The Misanthrope), L’Ecole des femmes (The School for Wives), Tartuffe ou l’Imposteur, (Tartuffe or the Hypocrite), L’Avare ou l’École du mensonge (The Miser), Le Malade imaginaire (The Imaginary Invalid), and Le Bourgeois Gentilhomme (The Bourgeois Gentleman).From a prosperous family and having studied at the Jesuit Clermont College (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped to polish his comic abilities while he also began writing, combining Commedia dell’Arte elements with the more refined French comedy.Through the patronage of a few aristocrats including the brother of Louis XIV, Molière procured a command performance before the King at the Louvre. Performing a classic play by Pierre Corneille and a farce of his own, Le Docteur amoureux (The Doctor in Love), Molière was granted the use of Salle du Petit-Bourbon at the Louvre, a spacious room appointed for theatrical performances. Later, Molière was granted the use of the Palais-Royal. In both locations he found success among the Parisians with plays such as Les Précieuses ridicules (The Affected Ladies), L’École des maris (The School for Husbands) and L’École des femmes (The School for Wives). This royal favour brought a royal pension to his troupe and the title ‘Troupe du Roi’ (The King’s Troupe). Molière continued as the official author of court entertainments.Though he received the adulation of the court and Parisians, Molière’s satires attracted criticisms from moralists and the Church. Tartuffe ou l’Imposteur (Tartuffe or the Hypocrite) and its attack on religious hypocrisy roundly received condemnations from the Church while Don Juan was banned from performance. Molière’s hard work in so many theatrical capacities began to take its toll on his health and, by 1667, he was forced to take a break from the stage. In 1673, during a production of his final play, Le Malade imaginaire (The Imaginary Invalid), Molière, who suffered from pulmonary tuberculosis, was seized by a coughing fit and a haemorrhage while playing the hypochondriac Argan. He finished the performance but collapsed again soon after, and died a few hours later. In his time in Paris, Molière had completely reformed French comedy.
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