Winner of the Warwick Prize for Women in Translation 2024
Shortlisted for the Schlegel-Tieck Prize 2024
The Jewish poet Nelly Sachs (1891–1970) writes in direct response to the Holocaust. She is uniquely a 'prophetic' poet, one of the greatest of that species in the twentieth century.
Her first book appeared in the immediate wake of the Second World War, in 1946. Since that time, Hans Magnus Enzensberger declared, 'she has been writing fundamentally a single book'. That book is represented in this volume which reveals her whole progression rendered into English. Unlike earlier translators, Andrew Shanks calls his versions 'translations/imitations', moving away from the doggedly literal to render more faithfully the sense and intention of the originals.
Sachs escaped Berlin in May 1940. She found refuge in Sweden. Her major work is an evolving response to the trauma of the Holocaust. In 1966 she received the Nobel Prize for Literature. This book includes all the lyric poetry Sachs published in her lifetime and adds the posthumous collection Teile dich Nacht, an introductory essay, and notes.
Her poetry begins as a monumental lament for the victims of the Holocaust. Other themes develop: biblical, Kabbalist and religious allusions, personal bereavement, mental breakdown. And there are reflections on poetic vocation in the darkness of recent history.
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Andrew Shanks, is a now retired Church of England priest; for ten years Canon Theologian at Manchester Cathedral. He has published numerous works of philosophical theology; including “What Is Truth?” Towards a Theological Poetics (2001), and most recently Sublime Virtue: “Sainthood”, as Rendered Problematic by a Dozen Novelists (2023). Having first discovered the poetry of Nelly Sachs forty years ago, in a bookshop in Marburg, he has been steadily at work on his translations/imitations pretty much ever since.
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