For many centuries, Germany has enjoyed a reputation as the ‘land of music’. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.
Table of Content
List of Figures and Tables
Acknowledgments
Introduction
Neil Gregor and Thomas Irvine
PART I: SPACES AND MOMENTS OF AFFECT
Chapter 1. “The German in the Concert Hall”: Concertgoing and National Belonging in the Early Twentieth Century
Hansjakob Ziemer
Chapter 2. “Music Made in Hamburg”: How One City’s Music Scene Helped Make Rock and Roll the Lingua Franca of Youth
Julia Sneeringer
Chapter 3. “With Every Inconceivable Finesse, Excess, and Good Music”: Sex, Affect, and Techno at Snax Club in Berlin
Luis-Manuel Garcia
PART II: THE LOCAL, THE REGIONAL, THE NATIONAL
Chapter 4. Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras
Neil Gregor
Chapter 5. Female Musicians and “Jewish” Music in the Jewish Kulturbund in Bavaria, 1934–38 123
Dana Smith
Chapter 6. Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater
Emily Richmond Pollock
PART III: GLOBALIZING MUSICAL GERMANNESS
Chapter 7. Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan
Brooke Mc Corkle
Chapter 8. Hubert Parry, Germany, and the “North”
Thomas Irvine
PART IV: FANTASIES, REMINISCENCES, DREAMS, NIGHTMARES
Chapter 9. Between Musicology and Mythology at the Stunde Null:Austria’s 950th “Birthday” and the 50th Anniversary of Bruckner’s Death
Lap-Kwan Kam
Chapter 10. Hearing the Nazi Past in the German Democratic Republic: Antifascist Fantasies, Acoustic Realities, and Haunted
Memories in Georg Katzer’s Aide –Mémoire (1983)
Martha Sprigge
Chapter 11. Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika
Sean Nye
Index
About the author
Thomas Irvine is Associate Professor of Music at the University of Southampton. He has published widely in leading musicology journals in English and German. His book Listening to China: Sound and the Sino-Western Encounter, 1770-1839 is published by University of Chicago Press.
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