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‘A beautifully written, meticulously researched account. 4/5.’ – CLASSIC POP
1979.
Months of industrial action throughout the winter have left the dead unburied and mountains of rubbish piling up in the streets.
Punk has reached its bleak climax with the fatal heroin overdose of Sid Vicious while awaiting trial for the murder of his girlfriend.
Unlikely alliances of outsiders prepare to seize power, set the political agenda and write the soundtrack for the years to come. Their figureheads are two very different kinds of dominatrices…
As Margaret Thatcher enters 10 Downing Street, a handful of bands born of punk – Siouxsie and the Banshees, Joy Division and the Cure – find a way to distil the dissonance and darkness of the shifting decade into a new form of music. Pushing at the taboos the Sex Pistols had unlocked and dancing with the fetishistic, all will become global stars of goth.
By the time Thatcher is cast out of office in 1990, the arrival of goth will have imprinted on the cultural landscape as much as the Iron Lady herself.
Forty years on, author Cathi Unsworth provides the first comprehensive overview of the music, context and lasting legacy of goth. This is the story of how goth was shaped by the politics of the era – from the miners’ strikes and privatisation to the Troubles and AIDS - as well as how its rock ‘n’ roll outlaw imagery and music cross-pollinated throughout Britain and internationally, speaking to a generation of alienated youths.
A fascinating social history,
Season of the Witch tells the tale of an enduring counter-culture, one that steadfastly refuses to give up the ghost.
Over de auteur
Cathi Unsworth began her career on the legendary music weekly Sounds at the age of nineteen, where she topped a poll to be named the Sounds journalist readers would most like to go for a drink with. Her popularity was down to her identification with gothic music.Cathi’s previous book, Defying Gravity, the life and times of punk icon Jordan, was described by Julie Burchill as ’the only book about punk you’ll ever need’ and was chosen as ‘Book of the Year’ by Rough Trade, Uncut and the Daily Telegraph in 2019. She has also written six pop-culture-laced noir novels and her short-form work has appeared in The Guardian, the Financial Times, Bizarre, Melody Maker, Mojo and Uncut. She has appeared on TV and radio, given talks, organised walks and hosted events too numerous to mention.
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