Dickens’ burning passion for theater has often been overlooked by fans of his novels. A keen playwright and actor, he staged performances for which he oversaw every detail, and personally adapted many of his own fictional works. As a consummate self-publicist, he also undertook numerous stage tours and public readings of his own work. For Dickens, and for large swathes of Victorian society, theatre was a way of life and a hub of community: audience and performers would swell out onto the streets and into nearby drinking establishments after each show. Drawing on a variety of sources, both fictional and journalistic, this collection portrays a career’s worth of Dickens’ musings, critiques, and opinions on one of his most revered passions and pastimes—the theater.
Over de auteur
Pete Orford gained his Ph D from the Shakespeare Institute
for researching the modern reception of Shakespeare’s history
plays. Since then he has become embroiled in an academic
ménage à trois with Shakespeare and Dickens, presenting papers
at conferences on both writers, as well as publishing articles and
books. He is the general editor of Divining Thoughts: Future
Directions in Shakespeare Studies and has edited two collections
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