Terence O’Brian returns to Ireland to discover his home has been colonized by the English, so he devises a new plan to reeducate its people. He partners with an English professor who switches sides to aid him in his efforts. Irish villagers are forced to live under England’s rule and taught their dialect, history and culture. When Terence O’Brian returns from his studies abroad he notices the drastic change. In an effort to preserve their remaining culture, he tries to reinstate native customs. With from help from Professor Bunn, who was initially hired by the English, they work to undo years of damage. The villagers create a plot to stamp out England’s influence, once and for all. The Emerald Isle is a rich collaboration between three of the most popular theatrical talents of the nineteenth century. It’s a compelling story about the importance of culture, identity and honoring one’s history. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Emerald Isle is both modern and readable.
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Over de auteur
Edward German (1862–1936), Basil Hood (1864–1917) and Arthur Sullivan (1842–1900) were famous British composers and lyricists. Both German and Sullivan wrote and played music at an early age. Hood’s career began in the British Army, where he wrote plays as a hobby. They created the bulk of their work during the late nineteenth and early twentieth centuries. Hood wrote The French Maid (1896) and Little Hans Andersen (1903), while German made a name for himself with The Rival Poets (1901) and Tom Jones (1907). Sullivan is best known for his productions H.M.S. Pinafore (1878) and The Pirates of Penzance (1879).
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