Medea and Jason, clinging together as refugees in Corinth, have struggled to bring up their beloved offspring in this alien and unsympathetic society. Now Jason has a plan to better integrate himself. Unfortunately, this involves abandoning his wife, the mother of his children…
Spurned, destitute, desperate, Medea exacts her terrible retribution.
Liz Lochhead’s Scots-inflected version of Euripides’ classic revenge tragedy was first performed by Theatre Babel in 2000 and won the Saltire Society Scottish Book of the Year Award. It was revived by the National Theatre of Scotland as part of the 2022 Edinburgh International Festival, with Adura Onashile as Medea, directed by Michael Boyd.
Over de auteur
Liz Lochhead is a poet, playwright, performer and broadcaster.
Her original stage plays include Thon Man Molière, Mary Queen of Scots Got Her Head Chopped Off, Blood and Ice, Good Things and Perfect Days. Her many stage adaptations include Dracula, Molière’s Tartuffe, Miseryguts (based on Le Misanthrope) and Educating Agnes (based on L’École des Femmes); as well as versions of Medea by Euripides (for which she won the Scottish Book of the Year Award in 2001), and Thebans (adapted mainly from Sophocles’ Oedipus and Antigone).
Her collections of poetry include Dreaming Frankenstein, The Colour of Black & White, A Choosing (Selected Poems), Fugitive Colours and True Confessions, a collection of monologues and theatre lyrics. She served a five-year term as Scotland’s Makar, or National Poet, from 2011 till 2016, and was awarded the Queen’s Gold Medal for Poetry, 2015. She won the Sunday Herald Scottish Culture Lifetime Achievement Award in 2017.
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