A portrait of idealism and democracy floundering in a society of conservatism and opportunism, considered by many to be Ibsen's dramatic masterpiece.
Johannes Rosmer has resigned as parish priest following the suicide of his wife. But his increasingly liberal ideas make him an object of suspicion to the local worthies, who also disapprove of the presence in his house of a much younger woman, Rebecca West, formerly his wife’s companion. As their relationship deepens and their isolation builds, the increasing moral pressures they face force them inexorably towards their fate…
'A masterpiece of psychological drama in an unpoetic but accessible, modern version by Mike Poulton that never succumbs to the temptations of melodrama… none of the solemn mustiness still afflicting Ibsen revivals' London Evening Standard
'fascinating and complex' The Times
Over de auteur
Mike Poulton is an award-winning dramatist whose many adaptations and translations for the stage include: Robert Harris’s Imperium (Royal Shakespeare Company); The York Mystery Plays (directed by Philip Breen at York Minster); Hilary Mantel’s Wolf Hall and Bring Up the Bodies (directed by Jeremy Herrin for the Royal Shakespeare Company); Dickens’s A Tale of Two Cities (directed by James Dacre at the Royal & Derngate, Northampton); Fortune’s Fool (directed by Lucy Bailey at the Old Vic, London); Chekhov’s Uncle Vanya (directed by Lucy Bailey at The Print Room, London); Schiller’s Luise Miller (directed by Michael Grandage for the Donmar Warehouse, London); Anjin: The English Samurai (directed by Gregory Doran for Horipro in Tokyo); Malory’s Morte d’Arthur (directed by Gregory Doran for the Royal Shakespeare Company); Schiller’s Wallenstein (directed by Angus Jackson at Chichester Festival Theatre); Schiller’s Mary Stuart (directed by Terry Hands at Clwyd Theatr Cymru); Ibsen’s The Lady from the Sea (directed by Lucy Bailey at Birmingham Repertory Theatre); Chekhov’s The Cherry Orchard (directed by Philip Franks at Chichester Festival Theatre, and Terry Hands at Clwyd Theatr Cymru); Ibsen’s Rosmersholm (directed by Anthony Page at the Almeida Theatre, London); Strindberg’s The Father (directed by Angus Jackson at Chichester); Myrmidons (directed by Simon Coury at the Samuel Beckett Theatre, Dublin); and a two-part adaptation of Chaucer’s Canterbury Tales (directed by Gregory Doran for the Royal Shakespeare Company, and performed at the Swan Theatre, Stratford-upon-Avon, in the West End, and on tour of the US and Spain).
His acclaimed version of Schiller’s Don Carlos premiered at the Sheffield Crucible in a production directed by Michael Grandage with Derek Jacobi as King Philip II of Spain. It has since been widely performed, including by Rough Magic Theatre Company in Dublin (directed by Lynne Parker), and at the Göteborgs Stadsteater (directed by Eva Bergman). Other productions include Ibsen’s Hedda Gabler (West Yorkshire Playhouse/Liverpool Playhouse); Turgenev’s Fortune’s Fool (directed by Arthur Penn at the Music Box Theater, Broadway; nominated for a Tony Award for Best Play, and winner of seven major awards including the Tony Awards for Best Actor for Alan Bates and Best Featured Actor for Frank Langella); Uncle Vanya (directed by Michael Mayer at the Brooks Atkinson Theatre, Broadway; with Derek Jacobi, Roger Rees and Laura Linney); Three Sisters (directed by Bill Bryden at the Birmingham Rep; with Charles Dance); Ghosts (Theatre Royal Plymouth); The Seagull, Three Sisters, The Dance of Death and an adaptation of Euripides’ Ion (all directed by David Hunt at the Mercury Theatre, Colchester).
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