Sarrasine (1831) is a novella by French author Honoré de Balzac. Written as part of his La Comédie humaine sequence, Sarrasine is one of Balzac’s earliest works published without a pseudonym and helped to establish his reputation as a serious writer and distinguished member of Parisian high society. Noted for its controversial exploration of homosexuality and castration, Balzac’s novella would become the subject of Roland Barthe’s groundbreaking work of literary criticism, S/Z (1970).
Composed as a frame narrative, Sarrasine begins during a ball at the mansion of the wealthy Monsieur de Lanty. The unnamed narrator, from a window overlooking the garden, listens to the conversations of partygoers and watches as his guest, Beatrix Rochefide, is approached by a mysterious older man. The next night, the narrator tells Beatrix a story involving the man, a respected member of de Lanty’s circle. He begins with the life of Ernest-Jean Sarrasine, a successful young sculptor who, on a trip to Rome, fell in love with an opera star named Zambinella. Convinced she represents the ideal feminine form, he rejects Zambinella’s misgivings and vague excuses, becoming increasingly obsessed with the beautiful singer. Devising a plan to kidnap Zambinella during a party at the French embassy, Sarrasine discovers the truth: the singer is a castrato, a classical operatic performer who was selected and castrated before puberty. Sarrasine, a powerful novella, explores themes of idealization and obsession while illuminating the conflation of sex and gender.
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Over de auteur
Honoré de Balzac (1799-1850) was a French novelist, short story writer, and playwright. Regarded as one of the key figures of French and European literature, Balzac’s realist approach to writing would influence Charles Dickens, Émile Zola, Henry James, Gustave Flaubert, and Karl Marx. With a precocious attitude and fierce intellect, Balzac struggled first in school and then in business before dedicating himself to the pursuit of writing as both an art and a profession. His distinctly industrious work routine—he spent hours each day writing furiously by hand and made extensive edits during the publication process—led to a prodigious output of dozens of novels, stories, plays, and novellas. La Comédie humaine, Balzac’s most famous work, is a sequence of 91 finished and 46 unfinished stories, novels, and essays with which he attempted to realistically and exhaustively portray every aspect of French society during the early-nineteenth century.
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