The time of the landscape is not the time when people started describing gardens, mountains and lakes in poems or representing them in works of art: it is the time when the landscape imposed itself as a specific object of thought. It is the time when both the harmony of arranged gardens and the disharmony of wild nature led to a revolution in the criteria of the beautiful and in the meaning of the word “art.” It coincided with the birth of aesthetics, understood as a regime for ...
Inhoudsopgave
Abbreviations of frequently cited works
List of Illustrations
Foreword
I. A Newcomer to the Fine Arts
II. Scenes of Nature
III. The Landscape as Painting
IV. Bey...
Over de auteur
Jacques Rancière is Professor Emeritus of Philosophy at the University of Paris-St. Denis.
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