Sometimes it seems like there are as many definitions of poetry asthere are poems. Coleridge defined poetry as ’the best wordsin the best order.’ St. Augustine called it ’the Devil’s wine.’ For Shelley, poetry was ’therecord of the best and happiest moments of the happiest and bestminds.’ But no matter how you define it, poetry has exerciseda hold upon the hearts and minds of people for more than fivemillennia. That’s because for the attentive reader, poetryhas the power to send chills shooting down the spine and lightningbolts flashing in the brain — to throw open thedoors of perception and hone our sensibilities to a scalpel’sedge.
Poetry For Dummies is a great guide to reading andwriting poems, not only for beginners, but for anyone interested inverse. From Homer to Basho, Chaucer to Rumi, Shelley to Ginsberg, it introduces you to poetry’s greatestpractitioners. It arms you with the tools you need to understandand appreciate poetry in all its forms, and to explore your owntalent as a poet. Discover how to:
* Understand poetic language and forms
* Interpret poems
* Get a handle on poetry through the ages
* Find poetry readings near you
* Write your own poems
* Shop your work around to publishers
Don’t know the difference between an iamb and a trochee?Worry not, this friendly guide demystifies the jargon, and itcovers a lot more ground besides, including:
* Understanding subject, tone, narrative; and poeticlanguage
* Mastering the three steps to interpretation
* Facing the challenges of older poetry
* Exploring 5, 000 years of verse, from Mesopotamia to the globalvillage
* Writing open-form poetry
* Working with traditional forms of verse
* Writing exercises for aspiring poets
* Getting published
From Sappho to Clark Coolidge, and just about everyone inbetween, Poetry For Dummies puts you in touch with thegreats of modern and ancient poetry. Need guidance on composing aghazal, a tanka, a sestina, or a psalm? This is the book foryou.
Inhoudsopgave
Introduction.
About This Book.
How This Book Is Organized.
Part I: Reading and Understanding Poetry.
Part II: In the Beginning Was a Poem.
Part III: Writing Poetry: A Guide for Aspiring Poets.
Part IV: The Part of Tens.
Part V: Appendixes.
Icons Used in This Book.
Where to Go from Here.
Part I: Reading and Understanding Poetry.
Chapter 1: Poetry 101.
Chapter 2: Subject, Tone, and Narrative.
Chapter 3: Tuning In to Language.
Chapter 4: The Art of Interpretation.
Chapter 5: Connecting with Poems from the Past.
Part II: In the Beginning Was a Poem.
Chapter 6: An Intelligent Hustle through Poetic History: From the Earliest Poetry to the 1700s.
Chapter 7: An Intelligent Hustle through Poetic History: The 19th Century to the Present.
Chapter 8: Calling the Muse.
Chapter 9: Writing Open-Form Poetry.
Chapter 10: Working with Traditional Forms of Verse.
Chapter 11: Putting Pen to Paper: Writing Exercises for Poets.
Chapter 12: Going Public with Your Poetry.
Chapter 13: Getting Published.
Part IV: The Part of Tens.
Chapter 14: Ten Myths about Poets and Poetry.
Chapter 15: Ten Poems Worth Memorizing.
Chapter 16: Ten Love Poems.
Part V: Appendixes.
Appendix A: Glossary.
Appendix B: Poetry Timeline.
Appendix C: Resources.
Permissions.
Index.
Book Registration Information.
Over de auteur
The Poetry Center in San Francisco sponsors readings and awards and houses a renowned poetry archive. John Timpane, Ph.D., is the authorof It Could Be Verse: Anybody’s Guide to Poetry. Maureen Watts is a writer and longtime poetry activist who serves on the board of the National Poetry Association
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