The history of images can be described as a history of technology and mediality. The development of images is deeply rooted in the potentials of media technologies and the numerous human inventions in the range of traditional craftsmanship, engineering science, computer science, and art and design.
The factual embedding of images in the historical-technological processes constitutes a complex structure of an autonomous ‘image evolution’ that must be highlighted, characterized and analyzed by the interdisciplinary academic discourses that are related to the functions and structures of visuality, pictoriality, and forms of multi-sensoric representations.
The chosen term ‘evolution’ is deliberately indicating structural laws that underlie historical events. These laws are intentional and logical processes of a historical and technological interdependency. In this interdependency, technology is evolving out of its inherent structures and additionally embedded in anthropological conditions and sociocultural dynamics. In this context, we should work with the concept of an ‘image evolution’.
The factual embedding of images in the historical-technological processes constitutes a complex structure of an autonomous ‘image evolution’ that must be highlighted, characterized and analyzed by the interdisciplinary academic discourses that are related to the functions and structures of visuality, pictoriality, and forms of multi-sensoric representations.
The chosen term ‘evolution’ is deliberately indicating structural laws that underlie historical events. These laws are intentional and logical processes of a historical and technological interdependency. In this interdependency, technology is evolving out of its inherent structures and additionally embedded in anthropological conditions and sociocultural dynamics. In this context, we should work with the concept of an ‘image evolution’.
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Over de auteur
Prof. Dr. Lars C. Grabbe studierte Philosophie, Soziologie und Neue Deutsche Literaturwissenschaft und Medienwissenschaften an der Christian-Albrechts-Universität zu Kiel. 2011 promovierte er an der Technischen Universität Chemnitz zu ‘Georg Simmels Objektwelt. Verstehensmodelle zwischen Geschichtsphilosophie und Ästhetik.’ Ab 2010 war er Lehrbeauftragter für ‘Theorie und Geschichte symbolischer Formen’ am Institut für Kunst-, Design- und Medienwissenschaften der Muthesius-Kunsthochschule in Kiel. 2014 wechselte er zudem an den Fachbereich Design der Fachhochschule Münster als Dozent für Medientheorie und Kommunikation. Dort ist er seit Juni 2017 Professor für Theorie der Wahrnehmung, Kommunikation und Medien. Forschungsschwerpunkte: Phänosemiose, Medientheorie und -philosophie, Bildwissenschaft, Wahrnehmungstheorie, Kommunikationstheorie, Ästhetik, Filmwissenschaft.Koop dit e-boek en ontvang er nog 1 GRATIS!
Taal Engels ● Formaat PDF ● Pagina’s 225 ● ISBN 9783963176708 ● Bestandsgrootte 3.2 MB ● Editor Lars C. Grabbe & Patrick Rupert-Kruse ● Uitgeverij Büchner-Verlag ● Stad Marburg ● Land DE ● Gepubliceerd 2019 ● Editie 1 ● Downloadbare 24 maanden ● Valuta EUR ● ID 6816484 ● Kopieerbeveiliging Sociale DRM
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